Kilsviken Sans Serif is a display typeface with an kind demeanour. It comes all capitals with åäö.
Based on glyphs originally drawn for the logo of Kilsvikens Husteknik I later built a full display typeface. I wanted it to be strict legible and masculine.
Role: Graphic Designer Agency: OWD For: Åke Westh AB
Logotype and costom typography for Åke Westh Konsult AB, a company working with future-proofing libraries and workspaces.
Important words in his line of work is collaboration, future and transformation. Something I wanted to bring in to his symbol, combining the letters and simplifying the Å glyph.
Role: Graphic Designer/Illustrator Agency: OWD
Poster / Typography / Illustration
50x70cm Limited edition poster.
Blade Runner is one of my favourite movies of all time and in part this is my loveletter to it.
It’s the first movie to ever make me question my thoughts on artificial intelligence. Where we draw the line for what life is and what it isn’t.
The question of the soul and the subjugation of the things we precieve to be without it.
With thousands of vector tear drops, drawn one by one, we built the face of Rachael Tyrell from the 1982 classic Blade Runner. Printed on matte paper.
The deep red lips represent the role of Rachael as the question of love and sexuality.
The tears represent her sadness of being questioned as a sentient entity and also a nod to the Rutger Hauer monologue: “I've seen things you people wouldn't believe... All those moments will be lost in time, like tears in rain. Time to die.“
All typography is custom made.
Forest Grove Lures
Role: designer / Type design Agency: OWD For: Forest Grove Lures
Forest Grove Lures is a small fishing lure company out of Stockholm, Sweden.
As they make their lures by hand I wanted the logo to reflect that hand crafted old school manner.
Logo made in three different sized to work on smaller surfaces as well as used big.
Stress Free Christmas
Role: Type design / Illustration Agency: King For: Clas Ohlson
I was hired to type the words ‘Merry Stress Free Christmas’ in five different languages in King's campaign for Clas Ohlson.
ABBA - Lyric Posters
Role: Art Director / Graphic Designer Agency: Universal Music Creative Labs For: Polar Music
During ABBA's 40th Anniversary I was asked to interpret ABBA lyrics typographically.
Printed on fine paper, UV coated, and sold at ABBA the Museum and webstore.
Fox Jumps is a sci-fi movie about scientists on a depleted planet earth, finding a new way of transportation through space and time. But the jumps are unpredictable and the journey dangerous.
The imagery represents the A and B of Fox Jumps space travel, the black representing the uncertainty of what and where is going to happen.
Title typography is Petra.
Nancy - 1981
Role: Art Director / Graphic Designer Agency: OWD For: Nancy
Nancy is a grunge band based in Stockholm, Sweden. All typography custom.
The album revolves around the lead singers upbringing so I wanted to use a picture from the his own life at that time, enclosed by hard drawn typography almost cutting through his childhood.
The songtitles are hand written, everything coloured deep red to emphaize the harsh and torn feeling of the songs.
Shadi G - Where we go
Role: Art Director / Graphic Designer Photographer: Johan Schmetzer Agency: Rithuset For: Shadi G / Goldamin Records
Shadi G is a electropop artist / producer out of Gotherburg, Sweden.
On the cover for the single 'Where we go' I wanted to translate the sense of floating wounder I got from hearing the song.
I chose to put Shadi inside a spacesuit. Face lit with intricate lighting. Using her face and expression to show that she's watching something wonderful and dreamlike. This something reflecting on her visor.
Audio Self Portrait
Role: Art Director / Graphic Designer For: Personal project
Self protrait made by my voice recorded, drawn and arranged.
I wanted to make a self portrait that shared something different than an enterpretation of my physical being.
There are many things that I feel make me who I am. What I look like have little to do with that. It’s also something I can’t control.
What I can control is what I have to say. So I recorded myself, drew the soundwaves created and arranged them on a 50x70 poster, printed on matte paper.